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Woman Singing for Performance

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What we are looking for in your audition:

As directors, we have been asked to share information pertaining to the process of presenting a great audition. At the Palace Theatre we look for four main items as we hold auditions for each theatre productions.

 

  • PRESENTATION: As each person presents him/herself on stage, the first 10 seconds tells the most about the type of performer we are about to watch. We look for eye contact, projection and enunciation while introducing him/herself and selections to be presented. We look for stage presence, such as standing tall on both feet, eyes engaged, confidence, and grooming.

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  • MATERIAL SELECTION: Choosing a great song for each audition is key. It is best to sing material that is similar in tone, mood, and personality to the musical for which you will audition. For example, at the auditions for Newsies we heard great choices from Matilda, Annie, and Junie B. Jones, which were more fitting than Gershwin ballads or church songs.

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  • ABILITY: Musical selections are required to have accompaniment. This shows ability to match pitch, rhythm, and if the singer can produce volume. Monologues give us the opportunity to see contrast in style and character of the one who auditions.

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  • ROLE PLACEMENT: Even when all the above have been met or have even excelled, we still must look at the needs of the production. Considerations are made as to how many to cast and costume, and how varying ages, sizes and shapes can be utilized to fit the needs of the show.


There are many variables to consider when casting each production. Hours are spent going over the applications checking rehearsal conflicts and reviewing impressions from the audition. It is wonderful to watch children, teens, and adults participate. We are always grateful to each and every one from our talented community who choose to audition for a production at the Palace Theatre.

Upcoming Auditins

What you should have prepared before you come to auditions:

  • Come prepared to sing 16-32 measures from a Broadway musical similar to the scheduled production.  All audition songs are expected to be memorized.  Do not plan to sing an entire verse, only 32 measures are needed.  Lengthy music introductions should be eliminated.

 

  • Musical selection should reveal character, personality, vocal quality and range.

 

  • Musical auditions must be accompanied.  A cappella auditions will not be accepted.  Accompaniment can be live, keyboard, or electronic.  An accompanist will be available if needed, but it is always wise (if possible) to bring your own.  If you use electronic accompaniment, please eliminate lengthy introductions.

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  • A short 30-second memorized monologue is recommended.  A monologue is not a poem.  It is a memorized selection spoken by a character from a musical or play, performed to reveal the character’s intent.

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  • Please supply a personal resume.  If you do not have a completed resume, use the following link: AUDITION FORM, to print and fill out with your personal information to be submitted at the time of your audition at the Palace.

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  • Date you know you have conflicts for both the rehearsal process and shows. 

Little Shop of Horrors Poster

Little Shop of Horrors

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Director - Jenna Davies

Music Director - Emily Capson

Choreographer - Jenna Davies and Lily Millward

Stage Manager - Mckynlee Casperson

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Performance dates:

September 18th - October 18th (all Mondays, Thursdays, Fridays and Saturdays during those dates.)

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Audition dates:

July 15-16

6:00-8:00 PM at the Palace Theatre.

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Character and Dance Callbacks by invitation- 

If you would like to send a video audition, please send it to thepalacetheatrepocatello@gmail.com.

Accompanist, Aux, and iPhone hook-up will be available.

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Please prepare 32 bars of music in a similar style of the show.​

Please prepare a 30-second contrasting monologue.

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All roles are available (see below for roles). No previous experience is needed, we welcome and encourage anyone from the community to come audition!

Roles​

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  • Seymour Krelborn - An insecure, put-upon florist's clerk and eventual hero. He is a genuine, well-meaning man who is taken for granted because of his clumsy ways and poor social skills. (Male, adult, stage age 20's to 30's (not exclusive to these age ranges only), tenor vocal range)

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  • Audrey - Bleached-blond, Billie-Dawn-like, secret love of Seymour's life. She has poor self-worth and education, but incredibly good looks and a sweet and vulnerable demeanor. (Female, adult, stage age 20's to 30's (not exclusive to these age ranges only), mezzo-soprano vocal range)

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  • Mr. Mushnik - The seasoned owner of the failing East Side flower shop and Seymour's nosy boss. He is profit-driven, greedy, and manipulative. (Male, adult, stage age 50's to 60's (not exclusive to these age ranges only), baritone vocal range)

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  • Orin Scrivello - An egotistical dentist with a passion for leather and sadistic tendencies. Audrey's abusive boyfriend, who is targeted by Seymour. (Male, adult, stage age 30's to 40's (not exclusive to these age ranges only), baritone vocal range)

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  • The Plant (Audrey II) - Puppet. An anthropomorphic cross between a Venus flytrap and an avocado, the plant has an appetite for human flesh that is appeased by Seymour. Puppeteer doubles as other sizes of the plant.

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  • Voice Of The Plant (Audrey II) - An actor/vocalist located offstage. The voice is that of a conniving, street-smart 'villain.' A funky Rhythm and Blues voice is best. (Male, offstage, baritone vocal range)

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  • Crystal - Crystal, Ronnette and Chiffon are Black street urchins, acting as the occasional Greek Chorus. Young, hip, and smart, these girls are the only ones who have a grip on reality. (Female, adult, stage age 20's to 30's (not exclusive to these age ranges only), mezzo-soprano vocal range)

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  • Ronnette - Crystal, Ronnette and Chiffon are Black street urchins, acting as the occasional Greek Chorus. Young, hip, and smart, these girls are the only ones who have a grip on reality. (Female, adult, stage age 20's to 30's (not exclusive to these age ranges only), mezzo-soprano vocal range)

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  • Chiffon - Crystal, Ronnette and Chiffon are Black street urchins, acting as the occasional Greek Chorus. Young, hip, and smart, these girls are the only ones who have a grip on reality. (Female, adult, stage age 20's to 30's (not exclusive to these age ranges only), mezzo-soprano vocal range)

A Christmas Carol 2025

A Christmas Carol​

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Director - Kelsey Rain

Music Director - TBA

Choreographer - TBA

Stage Manager - TBA

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Performance dates:

November 28th - December 23rd (all Mondays, Wednesdays, Thursdays, Fridays and Saturdays during those dates.)

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Tentative Audition Dates:

September 16 - 17

Disclaimer: audition dates are subject to change, so please check back or subscribe to be notified.

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Character and Dance Callbacks by invitation- 

If you would like to send a video audition please send it to thepalacetheatrepocatello@gmail.com.

Accompanist, Aux, and iPhone hook-up will be available.

​

Please prepare 32 bars of music in a similar style of the show.​

Please prepare a 30-60-second contrasting monologue.

​

All roles are available (see below for roles). No previous experience is needed, we welcome and encourage anyone from the community to come audition!

Roles​

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  • Ebenezer Scrooge - A man who lost his father to creditors as a kid and has grown up heeding his father's advice to save his money. Until he realizes how terrible he's become, he is grumpy, unsympathetic man and has no time for anyone or anything. (Male, adult, stage age 40's to 60's (not exclusive to these age ranges only), tenor vocal range)

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  • Mr. Bob Cratchit - A father and husband who cares deeply for his family, particularly his youngest son. He works hard to provide for them but is mistreated by his employer, Scrooge. (Male, adult, stage age 30's to 40's (not exclusive to these age ranges only), baritone vocal range)

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  • Mrs. Cratchit - Tiny Tim's mother and Mr. Cratchit's wife. She is a loving mother who tries to provide the best for her children with what she's got. (Female, adult, stage age 30's to 40's (not exclusive to these age ranges only), mezzo-soprano vocal range)

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  • Tiny Tim - Mr. and Mrs. Cratchit's youngest son. He is crippled and sick, but is the definition of loving Christmas spirit. He constantly reminds his family that as long as they all have each other, they will be happy. (Male, child, stage age 9 to 12 (not exclusive to these age ranges only), treble/boy soprano vocal range)

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  • Fred - Scrooge's nephew and only living relative. He is a pleasant young man who believes in the good a joyful Christmas spirit can make in the world. (Male, adult, stage age 20's to 30's (not exclusive to these age ranges only), baritone vocal range)

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  • Ghost Of Christmas Present - A jovial, larger-than-life ghost who comes back to show Scrooge all the joy, love, and celebration he his missing out on while those around him celebrate Christmas. Actor doubles as Sandwich board Man. (Male, adult, stage age 30's to 40's (not exclusive to these age ranges only), tenor vocal range)

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  • Ghost Of Christmas Past - An ever cheerful, sprightly ghost who comes back with the history book of Scrooge's past to show him the events that led to his current state. Actor doubles as Lamplighter. (Male, adult, stage age 40's to 60's (not exclusive to these age ranges only), tenor vocal range)

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  • Ghost Of Christmas Future - A beautiful, and terrifying wrath, the Ghost of Christmas Future is strong and silent as she shows Scrooge what will happen to him and those around him if he continue down the path he is currently treading. (Female, adult, stage age 50's to 60's (not exclusive to these age ranges only), soprano vocal range)

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  • Jacob Marley - Scrooge's former business partner who, before his death, was exactly like Scrooge. Comes back as a ghost in chains to warn Scrooge of how his life decisions will bind him in the afterlife. (Male, adult, stage age 40's to 50's (not exclusive to these age ranges only), tenor vocal range)

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  • Scrooge's Mother - (Female, adult, stage age 40's to 50's (not exclusive to these age ranges only)

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  • Young Scrooge (three of them) - (Male, child/teen/young adult, stage age 8, 12, and 18 to early 20's (not exclusive to these age ranges only), tenor, baritone, and treble/boy soprano vocal range)

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  • Emily - Scrooge's fiancé from when they were young. She is a beautiful girl, not impressed or in need of money. (Female, adult, stage age 18 to early 20's (not exclusive to these age ranges only), soprano vocal range)

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  • Mrs. Fezziwig - The consummate hostess and Mr. Fezziwig's wife, she loved to help throw the Christmas party every year. She is prideful. (Female, adult, stage age 50's to 60's (not exclusive to these age ranges only), soprano vocal range)

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  • Mr. Fezziwig - A portly, jolly man who used to throw a huge Christmas party every year for the community. He was Scrooge's first boss and after teaching him all he knew, he became deeply disappointed in the man Scrooge became. (Male, adult, stage age 50's to 60's (not exclusive to these age ranges only), tenor vocal range)

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  • Ensemble - Charity Elves; Bankers; Street Vendors; Sailors; Ghosts; Jailers; Clerks; Monks (Male and Female, teens/adults, stage age 16 to 60's (not exclusive to these age ranges only), all vocal ranges)

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