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Woman Singing for Performance

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What we are looking for in your audition:

As directors, we have been asked to share information pertaining to the process of presenting a great audition. At the Palace Theatre we look for four main items as we hold auditions for each theatre productions.

 

  • PRESENTATION: As each person presents him/herself on stage, the first 10 seconds tells the most about the type of performer we are about to watch. We look for eye contact, projection and enunciation while introducing him/herself and selections to be presented. We look for stage presence, such as standing tall on both feet, eyes engaged, confidence, and grooming.

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  • MATERIAL SELECTION: Choosing a great song for each audition is key. It is best to sing material that is similar in tone, mood, and personality to the musical for which you will audition. For example, at the auditions for Newsies we heard great choices from Matilda, Annie, and Junie B. Jones, which were more fitting than Gershwin ballads or church songs.

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  • ABILITY: Musical selections are required to have accompaniment. This shows ability to match pitch, rhythm, and if the singer can produce volume. Monologues give us the opportunity to see contrast in style and character of the one who auditions.

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  • ROLE PLACEMENT: Even when all the above have been met or have even excelled, we still must look at the needs of the production. Considerations are made as to how many to cast and costume, and how varying ages, sizes and shapes can be utilized to fit the needs of the show.


There are many variables to consider when casting each production. Hours are spent going over the applications checking rehearsal conflicts and reviewing impressions from the audition. It is wonderful to watch children, teens, and adults participate. We are always grateful to each and every one from our talented community who choose to audition for a production at the Palace Theatre.

Upcoming Auditins

What you should have prepared before you come to auditions:

  • Come prepared to sing 16-32 measures from a Broadway musical similar to the scheduled production.  All audition songs are expected to be memorized.  Do not plan to sing an entire verse, only 32 measures are needed.  Lengthy music introductions should be eliminated.

 

  • Musical selection should reveal character, personality, vocal quality and range.

 

  • Musical auditions must be accompanied.  A cappella auditions will not be accepted.  Accompaniment can be live, keyboard, or electronic.  An accompanist will be available if needed, but it is always wise (if possible) to bring your own.  If you use electronic accompaniment, please eliminate lengthy introductions.

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  • A short 30-second memorized monologue is recommended.  A monologue is not a poem.  It is a memorized selection spoken by a character from a musical or play, performed to reveal the character’s intent.

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  • Please supply a personal resume.  If you do not have a completed resume, use the following link: AUDITION FORM, to print and fill out with your personal information to be submitted at the time of your audition at the Palace.

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  • Date you know you have conflicts for both the rehearsal process and shows. 

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Joseph and the Amazing Technicolor Dreamcoat​

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Director - Sherri Dienstfry-Swanson

Music Director - Elissa Jones

Choreographer - Vanessa Grow

Stage Manager - Christina McIntire​

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Performance dates:

April 2nd- May 2nd

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Audition Dates:

Date: Wednesday, January 21st, 2026

Times: 6:30PM to 9:00PM

Disclaimer: audition dates are subject to change, so please check back or subscribe to be notified.

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Character and Dance Callbacks by invitation only.

If you would like to send a video audition please send it to thepalacetheatrepocatello@gmail.com by January 20th, 2026.

Accompanist, Aux, and iPhone hook-up will be available.

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Please prepare 16-32 bars of music in a similar style of the show.​

Please prepare a 30-60-a comedic monologue. 

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All roles are available (see below for roles). Ages 8 and up are able to audition. No previous experience is needed, we welcome and encourage anyone from the community to come audition!

NARRATOR – An actress with a strong rock singing voice (high belt to E, full-range Mezzo) who is strong on comedy and moves well. Tenor vocalist if played by a male performer.


JOSEPH – Tenor. The eleventh son of Jacob. His father’s favorite, Joseph early on shows a talent for interpreting dreams and telling the future. This gets him into trouble with his brothers when he predicts his future will include ruling over the other eleven. However, it saves his life when in Egypt he correctly interprets Pharaoh’s dreams. In the end, he has risen to a great position of power, but he still forgives his brothers and brings his family to Egypt to partake of the bounty he has accumulated there.


JACOB – Joseph’s father. An actor in his 50s/60s with a baritone voice.


JOSEPH’S BROTHERS:

  • REUBEN

  • SIMEON

  • LEVI

  • NAPHTALI

  • ISSACHAR

  • ASHER

  • DAN

  • ZEBULUN

  • GAD

  • BENJAMIN

  • JUDAH – Sings Harry Belafonte-style in “Benjamin Calypso”

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POTIPHAR – A Noel Coward-type character. Baritone. 


MRS. POTIPHAR – Alto/Mezzo


PHARAOH – Elvis Presley type character, Tenor/Baritone range. 

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BUTLER – Tenor/Baritone


BAKER – Tenor/Baritone

ENSEMBLE
Chorus (Boys & Girls)* – Sopranos (to High C), Mixed male ranges (Low A to High A, Basses down to E). Minimum of 11 girls to play the wives of Joseph’s brothers, including a strong female dancer with partnering ability (Adagio) in “The Apache.”
Children’s Choir

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